Category: News

BMS Awards: Jan-Sep 2020

Book Marketing Society Awards

We’ve announced the winners of the 2020 Q1, Q2 and Q3 Awards!

Click here for the presentation with judges comments

 or see below for the full list…

Q1 – January to March 2020

GUERRILLA
HIGHLY COMMENDED: How to Break Up with Fast Fashion

Marketer: Ellie Morley / Headline

WINNER: Motherwell

Marketers: Anna Bowen, Tom Noble / Orion

DEBUT

HIGHLY COMMENDED: Saving Missy

Marketers: Abbie Salter, Katy Blott / HarperFiction

WINNER: The Girl with the Louding Voice

Marketer: Helen Flood / Sceptre

ADULT NON-FICTION

HIGHLY COMMENDED: Invisible Women

Marketers: Rosanna Boscawen, Katrina Northern / Vintage

WINNER: The Future We Choose

Marketer: Felice McKeown / Manilla Press

ADULT FICTION

HIGHLY COMMENDED: Grown-Ups

Marketers: Claire Bush, Liz Smith, Fola Adebayo / Michael Joseph

WINNER: Kim Jiyoung, Born 1982

Marketer: Amy Fulwood / Simon & Schuster

Q1 SPOTLIGHT AWARDS

AUDIENCE DEVELOPMENT: Not A Diet Book

Marketer: Orlando Mowbray / Harper Non-Fiction

INNOVATION: The Mirror and The Light

Marketers: Matt Clacher, Lindsay Terrell, Liv Marsden / 4th Estate

CREATIVITY: Difficult Women

Marketers: Rosanna Boscawen, Sophie Painter / Vintage

 

Q2 – April to June 2020

MULTI-TITLE

HIGHLY COMMENDED: Play and Learn at Home

Marketers: Sarah Connell, Anna Howorth, Jacob Dow, Emma Baxter, Lisa Watts, Matt Bugler / Usborne

WINNER: eBook Lockdown Promotion

Marketer: Jessie Sullivan / Head of Zeus

GUERRILLA

HIGHLY COMMENDED: Mind Over Mother

Marketer: Aimee Kitson / Little, Brown

WINNER: Lockdown

Marketer: Katie Sadler / Quercus

CHILDREN’S

HIGHLY COMMENDED: The Strangeworlds Travel Agency

Marketers: Beth McWilliams, Aashfaria Anwar / Hachette Children’s

WINNER: The Worrysaurus

Marketer: Emily Finn / Hachette Children’s

YOUNG ADULT

HIGHLY COMMENDED: Diary of a Confused Feminist

Marketer: Natasha Whearity / Hachette Children’s

WINNER: The Court of Miracles

Marketers: Fleur Clarke, Katy Blott / HarperFiction

ADULT NON-FICTION

HIGHLY COMMENDED: Humankind

Marketer: Genista Tate-Alexander / Bloomsbury

WINNER: Women Don’t Owe You Pretty

Marketers: Caro Parodi, Matthew Grindon / Octopus

ADULT FICTION

HIGHLY COMMENDED: Daughters of Cornwall

Marketers: Dawn Burnett, Sarah Shea / HarperFiction

WINNER: The Heatwave

Marketer: Ellie Pilcher / Avon

Q2 SPOTLIGHT AWARDS

AUDIENCE DEVELOPMENT: Skincare

Marketers: Joanna Rose, Janet Aspey, Jen Callahan-Packer / HQ

INNOVATION: White Rabbit Launch

Marketer: Tom Noble / Orion

CREATIVITY: Ladybird Little Big Moments

Marketer: Natasha Collie, Beth O’Brien, Clemmie Turner / PRH Children’s

 

Q3 – July to September 2020

MULTI-TITLE

HIGHLY COMMENDED: One More Chapter Readalong

Marketers: Melanie Price, Claire Fenby / HarperCollins

WINNER: Go on an Adventure with Katherine Rundell

Marketers: Mattea Barnes, Lucy Upton / Bloomsbury Children’s

YOUNG ADULT

HIGHLY COMMENDED: Midnight Sun

Marketers: Celeste Ward-Best, Maddy Hall / Atom

WINNER: Cinderella is Dead

Marketer: Namra Amir / Bloomsbury Children’s

DEBUT

HIGHLY COMMENDED: The Thursday Murder Club

Marketers: Georgia Taylor, Ellie Hudson / Penguin General

WINNER: The Super Miraculous Journey of Freddie Yates

Marketers: Joanna Olney, Stevie Hopwood / Usborne

ADULT NON-FICTION

HIGHLY COMMENDED:What Mummy Makes

Marketer: Natalie Wolfe / DK

WINNER: Gotta Get Theroux This

Marketers: Sarah Arratoon, Andy Joannou, Ellie Bailey, Elle Jones / Pan Macmillan

ADULT FICTION

HIGHLY COMMENDED: Love in Colour

Marketer: Lucie Sharpe / Headline

WINNER: The Midnight Library

Marketer: Alice Shortland / Canongate

Q3 SPOTLIGHT AWARDS

AUDIENCE DEVELOPMENT: Mary Berry Simple Comforts

Marketer: Abby Watson / Ebury

INNOVATION: The Guest List

Marketers: Abbie Salter, Jeannelle Brew / HarperFiction

CREATIVITY: Ottolenghi Flavour

Marketers: Stephenie Naulls, Morgana Chess / Ebury

 

A huge thank you to everyone for submitting their campaigns, and to the judges for their careful considerations.

 

 

 

 

 

BMS Session 8: Google Display

Our final BMS Session of 2020 looked at Google Display advertising.

Click on the image below to watch the video (running time approx 50m)

 

If you’ve ever pretended to know all about Google Advertising, but secretly find the huge array of options bewildering, then this is the Session for you!

Sam Noble from Biddable Moments takes us through the Google Display Network covering targeting, the different ad formats and channels (including YouTube) and the best creative approaches for them.

Download the deck from the Session here.

Sam can be contacted on [email protected]

 

 

BMS Session 7: Twitter

Our seventh BMS Session, in association with Twitter, looked at tips and tools for Twitter success.

Click on the image below to watch the video (running time approx 25m)

Alice Beverton-Palmer, Senior Partnerships Manager at Twitter UK, has worked with publishing houses on their social media game since 2016.

She has helped send Harry Potter-themed Valentines, gone Live with Joe Wicks, and run more author Q&As than she can count. She joined us to share updates on the latest Twitter tools, plus inspiration you might have missed from other industries and regions.

Contact Alice on @alice with any questions.

Sign up for Twitter Marketing insights at marketing.twitter.com, or follow @TwitterMktg

 

 

 

BMS Sessions 6: Outdoor

Our sixth BMS Session, in association with Jack Arts, looked at making the most of outdoor in the current climate.

Click on the image below to watch the video (running time approx 32m)

Exploring outdoor activity that suits reader behaviour this autumn

The power of street poster campaigns is hard to define, quantify or create an algorithm for. It’s not just the number of eyeballs a campaign receives, it’s the effect on the viewer, their mindset shift, the connection they feel to the message. It’s the time they spend looking, thinking and often stopping to record and share an image of the physical campaign with their own social networks.

The power of the medium to create impact has never been more apparent than during the Covid-19 era. A time when we need to feel a connection to something, to find a reason to smile, to feel inspired and perhaps even gain some good advice.

With the public moving around very differently during the pandemic, it’s been about reaching audiences in their local neighbourhoods and using surprising methods to ensure passers-by actually stop and take notice.

Discover Jack’s five tips for publishers looking to create standout street campaigns during these very different times:

1. Nail your poster artwork

2. Be clever about location and space

3. Soak up street culture

4. Flex your creative muscles

5. Produce killer shareable content

 

Check out some of their case studies below:

https://www.jackarts.co.uk/work/ottolenghi/

https://www.jackarts.co.uk/work/the-photographer-of-the-lost/

https://www.jackarts.co.uk/work/me-and-white-supremacy-layla-f-saad/

https://www.jackarts.co.uk/latest-work/community-is-kindness/

https://www.instagram.com/p/CFARp9FH4BT/

 

 

Explore three outstanding campaigns of Spring/Summer 2020

Our second Virtual Masterclass, hosted by James Spackman, featured three very different campaigns: from building on a phenomenon to championing social change to announcing a grand fictional finale.

Click on the image below to watch the video (running time approx 1hr 25m)

With a big thank you to our panel:

 

Matt Clacher, Marketing Director, 4th Estate

discussing: The Mirror and The Light by Hilary Mantel

 

Abbie Salter, Senior Marketing Manager, HarperFiction

discussing: The Guest List by Lucy Foley

 

Bethan Ferguson, Marketing Director, Quercus

discussing: I Am Not Your Baby Mother by Candice Braithwaite

 

 

 

 

BMS Sessions 4: Facebook

Our fourth BMS Session demonstrated how you can improve your Facebook and Instagram advertising using the marketing funnel.

Click on the image below to watch the video (running time approx 50 mins):

Thanks to Marie Page and Carlton Jefferis of the Digiterati Academy for some excellent advice on how to avoid two common targeting mistakes:

1 – jumping straight in with interest targeting

2 – the wrong message at the wrong time

PLUS don’t miss a useful section on Amazon attribution for Facebook ads and a clever hack to try out.

BMS members can also take advantage of a reduced price offer to a year of online training from Digiterati Academy. Find all the details here.

 

 

 

BMS Sessions 2: Talking TV

Our second BMS Session demonstrated that TV advertising is more affordable than you may have thought!

Click on the image below to watch the video (running time approx 45m)

 

There’s more to TV than just Linear and VOD.

In fact you can choose from Connected TV, On Demand, Addressable TV and Linear – and you can run a TV campaign for as little as £2,500.

Thanks to Penny Took and Mihir Haria-Shah from Total Media for taking us through the various TV platforms available, how publishers can make the best use of each of them, and how to decide on the right approach for your campaign.

 

 

 

Virtual Events: Key Takeaways

COMMS IN THE TIME OF CORONA:

A Bookseller Conversation Series in association with BMS and PPC

Hosted by Miriam Robinson

Panel:

Maura Wilding (Orion)

Caroline Maddison (PRH Children’s)

Carolyn Jess-Cooke (author and founder of the Stay-at-Home Literature Festival)

Sue Porter (owner, Linghams Bookshop)

 

Key Takeaways

– When programming virtual events and festivals, consider bringing in big ideas, current events, relevant topics and not just Covid. Big names attract crowds but smaller names have their place, too, for workshops, smaller events or paired with bigger authors. Virtual events also bring in opportunities for fun, ie Stay At Home showcased authors’ pets in their houses.

Author participation helps promotion – asking the author to do a 10-second video to promote the event on their social channels, and of course signed copies/book plates

Micro-events build awareness at the top of the marketing funnel, creating different opportunities for you to engage with your audience and ask for feedback. Puffin Storytime runs on their channels at 3pm weekdays, with a readalong or a drawalong every day plus regular Friday quizzes and a daily Ladybird Challenge.

– Don’t run events without a reason! The panellists run events to create community, maintain publisher/retailer relationships, stay connected, stay in consumers’ minds and foster good will for the long term. Accessibility also sited as a key reason – reaching people who can’t attend events because of disabilities, caring responsibilities, distance or class reasons. Prioritise connection and brand-building.

– FB and IG Live sited as great platforms for really large events, with Zoom working for large ones but also closed groups, too, which create a sense of community with grid view, and when ticketed allow for book sales!  On Zoom people tend to stay for the full event more often, whereas on social they tend to click away. Chat function on Zoom makes it feel more communal than watching a video. YouTube and Facebook are good for family audiences.

– There’s value in large and small audiences – large numbers are obviously very exciting as a publicist and you have the chance to go global. Smaller events create a sense of community and real opportunity to re-engage those attendees and turn them into loyal customers long term.

– Capped events create a sense of exclusivity and encourage people to really set aside the time to participate

– For monetising, book-and-ticket seems to be most popular, and everyone is investigating how to do that on Zoom and Eventbrite. Also being blatant about putting buy links front and centre, telling people before, during and after the event to buy the book.  We looked at multiple monetising models, reiterating that tiered or hybrid systems makes a lot of sense as do sponsorship, donation and Patreon models. Facebook is also launching a monetising feature with Messenger Rooms soon.

Think about libraries! They have massive mailing lists so can help you get the reach if you bring the authors and curate a compelling event.

– You can get organisers’ attention by providing extra support/value – signed stock, added promotional materials, etc.  Look to offer the hosts something different each time.

– As a smaller brand, partnering is key – collaborate with another author, or pair with another organisation with a larger mailing list. All stakeholders now have joint responsibility to ‘fill the virtual room.’

– To prioritise which events you book for your authors, think about the relationships you want to maintain and support. Tap into non-book brands to extend reach.

– Use events as part of the content funnel to maintain community. Events are a great way in for new audiences. Think about what data you have to reach consumers, using Lookalike audiences, etc, to reach people who’ve interacted previously. For organic use content around the theme of the event, eg: a Spotify playlist.

– Give granular level detail to your authors ahead of the event, and do a tech test-run to eliminate potential issues. Zoom events are more draining than live ones so prepare them for that. Authors should be paid for workshops give the time and energy involved, but may not need payment for core promotional events. Clarity is key here.

– With events, nurture attendees/sign-ups:  is there a sign-up discount, can they submit questions in advance, encourage newsletter sign-up. It’s a value exchange for being part of the event and community.

– Move the community through the funnel. Always think – how are we engaging and nurturing for the future?  After the event “Sweat your assets!” Remarket after the event, with playlists, photos, etc. Then you have a ready-made list for the next event.

Watch the video here

 

 

BMS Sessions 1: TikTok and Digital Audio

Our first BMS Session took a closer look at TikTok and Digital Audio – hosted in association with Rocket (powered by The Big Shot)

 Click on the image below to watch the video (running time approx 45m)

 

Part 1 – TikTok

([email protected])
How it works and how to get the most out of it.
The content, the trends, the audience, the ads, the influencers and how it can work as part of a wider campaign.

 

Part 2 – Digital Audio

([email protected])
The various strands of digital audio including podcasts, music streaming services and more.
What works and should we always be producing?

 

 

 

 

 

Adapting to Life in Lockdown: Driving Consumers to Online Sales

Our first ever Virtual Masterclass, hosted by James Spackman, took place on 5 May via Zoom – click on the image below to watch the video

(running time approx 1hr 45m)

 

With a big thank you to our panel:

 

Carmen Byers, Head of Marketing, Audio at PRH, on:

-The Penguin Classics audio campaign

-Insight-driven audio marketing

-Working with authors on audio products – audiobook and podcast

 

Niriksha Bharadia, Marketing Manager at Faber & Faber, on:

-Faber’s recent audiobook and podcast work, including Sarah Pascoe

-Using social media to respond to customer need in lockdown in a planned, yet agile, way supporting indies and selling direct

 

Rob Chilver, Digital Marketing Manager at Headline, on:

-Driving sales online, from ebook promotion to audio trends to social media campaigns

-How things have changed/accelerated in the lockdown